Vienna Art Guide - September

Vienna Art Guide - September

I.

Exhibition: Sir
Artist: Fischerspooner
Venue:  MUMOK
Dates: June 30 to October 29


Warren Fischer and Casey Spooner founded their art, music, and performance project FISCHERSPOONER in 1998 in New York. Success came quickly after perfomances at MoMA and their song „Emerge“ which landed a top 40 hit in the British charts in 2002. With their show „Sir“ they present their own queer-lustrous and passionate universe. A site specific installation remodels Spooner´s New York apartment. The installation is an artistic extension of their new album project, produced by Michael Stipe (R.E.M.) Curated by: Marianne Dobner.

Photo: Warren Fischer and Casey Spooner © Mumok | Foto: Yuki James

Photo: Warren Fischer and Casey Spooner © Mumok | Foto: Yuki James


II.

Exhibition : HOT HOT HOT
Artist: Toni Schmale
Venue: Secession
Dates: September 14 to November 05


Toni Schmale´s works in mediums such as installation, performance, sculpture, animation, video and drawing question the gender constructions that exist in social power relations. Objects made of hot-dip galvanised steel with an electrostatic powder coating as well as concrete and moulded rubber refer to subjects such as sexuality and gender, fetishism, sport and physical exertion. 

Photo: Toni Schmale, wildkatze, 2016, Courtesy oft he artist and Galerie Christine König, Photo: Peer Sievers

Photo: Toni Schmale, wildkatze, 2016, Courtesy oft he artist and Galerie Christine König, Photo: Peer Sievers

III.

Exhibition: curated by_vienna: image/reads/text
Artist: Various artist
Venue: Various Galleries
Dates: September 15 to October 14


Curated By is Vienna's gallery festival. Every Year, curated by_vienna is dedicated to a specific theme. The festival´s title „image/reads/text“ was coined by the artist Heinrich Dunst. This year you will find 21 individual exhibitions in 21 Galleries related to this broad horizon.

Photo: Calacatta Gold, 2017 © Hong Zeiss | Foto: Manuel Lopez

Photo: Calacatta Gold, 2017 © Hong Zeiss | Foto: Manuel Lopez

Vienna and Tel Aviv - so different, and yet...

Vienna and Tel Aviv - so different, and yet...

Staying true to custom, like all other Israelis, I found myself spending August not in Israel. Austria was the destination and Vienna was the peak of excitement. Vienna, a city of emperors and palaces and art. What could a street art lover from Tel Aviv find? Not to worry, there was plenty!

First things first, Vienna is a Mecca for art and museum lovers. While I love all things street, edgy and anti-institution, the art history graduate in me had to check some of these marvelous treasure troves off my list. The Albertina Museum, just across the street from the glorious Vienna state opera house, has a permanent display of the Habsburg State Rooms from the 19th century in which one can admire original sketches and pieces by old masters like Da Vinci and Viennese icons of Modernism like Klimt and Schiele. 

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However along with this extravagant piece of history, was an excellent exhibition of contemporary art. Look! New Acquisitions was a unique display of a group of contemporary art recently purchased for the museum’s collection. Surprisingly so, my Tel Aviv street art eye was able to spot a cool connection to the streets of Tel Aviv, even in this distant setting. Burhan Dogancay is a 20th century American Turkish artist who is mostly known for his pieces inspired by walls in the urban landscape of the mid-20th century. During the 70’s Dogancay started a project of photographing walls all over the world. “Walls of the World” actually started in Israel! Graffiti and street art served as a central source of inspiration for this ambitious and innovative project. The pieces in the exhibition have words and letters in Hebrew that can easily be identified.

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The paper pieces Dogancay created based on his photographs in Israel are on display in the exhibition Look! New Acquisitions in ongoing until October 8th at the Albertina Museum.

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After the museum led me to walls I was thinking I should cut the middle man and find some walls for myself. Vienna has a wonderful source of information for this, the website Vienna Murals. A quick look will prove that Vienna is rich in art in the public space just as it is between the museum and gallery walls. I was specifically intrigued by the walls on the canal banks. Vienna, who’s city center or Innerstaad, is located south to the Danube River, is parted by an arm of the river, the Donaukanal. On the banks one can find many restaurants and bars, and one in particular needed to be checked out – The Vienna Tel Aviv Beach. Equipped with sand and lounge chairs, this place serves cold drinks with a beachy ambiance, and is named after the best beach in the world, at least I think so. On the walls of the bank are dozens of large scale murals to enjoy with a drink in your hand.

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Finally after such long walks and such great art, you can’t help but look for a meal. The Vienna Naschmarket is the coolest place to go, offering many small, young and hip places to grab a bite from a variety of different cuisines. If you thought the Israeli street art scene didn’t pop up here – think again. At Neni, they not only serve great Israeli food, but they also have a piece by our local favorite duo – Dede Bandaid and Nitzan Mintz. At night the market booths are closed and their gates are covered in art pieces. If you take a walk around you can’t miss the two large walls they created there.

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Great food, great drinks, great art and all in reference to home. Vienna and Tel Aviv are definitely different but it was great to see Tel Aviv through the Viennese angle.

Book a Street Art Tour with Alternative Tel Aviv here.

Book a private art tour in Vienna with Itai here.

Melbourne Art Guide - September

Melbourne Art Guide - September

Earlier weeks in September have been a little quieter than usual in Melbourne. There have been art fairs, events and exhibitions up in Sydney, so much of the Melbourne art world has been interstate either participating or viewing all that is on offer. Nevertheless, this was only one week during September, so there has still be some exceptional exhibitions on in Melbourne during this month. Heidi Museum of Modern art is presenting an extensive survey on Australian artists from different generations engaging with artistic sensibilities rooted in Constructivism, an exceptional solo exhibition by an earlier career female artist Isadora Vaughan at The Honeymoon Suite and a tight exhibition at Bus Projects by Daisy Watkins-Harvey. 

I. 

Exhibition: Call of the Avant-Garde: Constructivism and Australian Art
Artist: over seventy Australian artists
Venue: Heidi Museum of Modern Art  
Dates: until 8th October  


This extensive survey of over seventy artists explores how Australian artists have responded to Constructivism art movement and illustrates an enduring call upon Australian artistic experimentation from the 1930s to the present day. Starting from the early influence of British constructivism on Australian painters and sculptors of the 1930s, 1940s and 1950s, the exhibition traces a growing awareness of Russian Constructivism among artists of later generations through to contemporary practices. In keeping with the Constructivist impetus towards an integration of ideas across all the art forms, the display includes painting and sculpture, video and photography, the graphic arts as well as theatre and costume design by visual artists. Works by wide array of Australian artists Ralph Balson, Frank Hinder, Inge King, Gunter Christmann, George Johnson, Robert Owen, Rose Nolan, Justene Williams and Zoë Croggon, among many others are shown alongside those by key proponents of the original movement, such as Russian artists Rodchenko, Malevich, El Lissitzky and Alexandra Exter from Russia, and British artists Ben Nicholson and Barbara Hepworth.

1. Heidi Museum of Modern Art. Artwork by Esther Stewart. Photo by Christian Cappuro.jpg

II.

Exhibition: Recalictrant Bodies
Artist: Isadora Vaughan
Venue: The Honeymoon Suite  
Dates: until 23rd September  


Recalcitrant Bodies is a sculptural installation by Isadora Vaughan, which includes individual works and text by Clementine Edwards, Debris Facility, Amanda Horowitz and Aodhan Madden. Spanning across the entire gallery, Vaughan utilises steel, ceramic and glass to build a ground across the space, one that houses tender, sculptural manifestations of an imagined body’s interior. A poem by Clementine Edwards plays through earbuds strung up and threaded between a loose mobile of beeswax in the shape of a flying, mollusc-like coat hanger. 

The poem charts a non-linear experience of violence. Textile and sculptural works by Amanda Horowitz draw, tape, glue, drag, burn, and prick pictures onto bodies. She disrupts the pattern or silhouette of cloth and readymade clothing, creating costumes and backdrops for a violently stylish theatre diorama - a cape that can be worn slung across the face of power. Circling around the space, Aodhan Madden contributes a series of small texts, dissolving, weeping, moving towards absorption. In 2016 Debris Facility made a film of a performance with Vaughan’s installation Cunjevoi exhibited at Station Gallery, Melbourne in 2016. Here, the film will be represented, absorbed, reiterating the messy lines of authorship and further subverting any claims of ownership that the individual works might once have made.Recalcitrant Bodies wills felt bodies out of a recipe of dissimilar ingredients, baking them into the building’s mass. It uses the context of material enquiry to engage in the politics of synthetics, feminism, ownership and trauma; and interrogates how these things can manifest in some physical state, bound and unbound by the laws of nature. 

2. The Honeymoon Suite - Artwork by Debris Facility Amanda Horowitz and Isadora Vaughan. Photo by Andre Piguet.jpg

III.

Exhibition: Me they shall feel while I am able to stand
Artist: Daisy Watkins-Harvey
Venue: Bus Projects
Dates: until 23rd September  


Daisy Watkins-Harvey’s Me they shall feel while I am able to stand consists of two new gestural paintings and a sculptural piece made from steel and marble. The exhibition is a meditation on fear, violence and uncertainty. Intuitive and gestural in approach, the works are studies by the artist on the expression of human emotional stages, and the indeterminate space between imagination and memory. The exhibition is presented in the smallest gallery space at Bus Projects, a non-profit organization in Collingwood that presents a tightly curated program throughout its five conjoined galleries each month. Being able to present multiple exhibitions in one month under the one roof enables introduction between artist and audience.  

3. Bus Projects - Artwork by Daisy Watkins-Harvey.jpg

Warsaw Art Guide - September

Warsaw Art Guide - September

I.
Exhibition title: Warsaw Gallery Weekend
Venue: 26 Warsaw Galleries
Dates: 22 - 24 September 

Thanks to the Warsaw Gallery Weekend, September is an intense time for galleries in the city. For the seventh time, this important event opens the art season in the capital. More than twenty galleries are open for talks with curators, owners and artists. The event program is complemented by meetings, debates and curatorial tours organized in partnership with institutional partners.
This year many young and new galleries are invited to the event. I am already looking forward to see Wilhelm Sasnal at Foksal Gallery Foundation, Katarzyna Przezwańska at Dawid Radziwszewski Gallery and Odile Bernard Schroeder at Pole Magnetyczne. 

I. photo by Jakby Ceran

I. photo by Jakby Ceran

II.
Exhibition title: Maria Lassnig
Venue: Zachęta — National Gallery of Art
Dates: Until 15 October, 2017

Zachęta presents the first retrospective in Poland of one of the most original painters of the twentieth century, Maria Lassnig (1919–2014, Austria).
Featuring large scale paintings that reveal her long standing exploration of the body and self-representation the exhibition spans her career; from work made during the 1940s in Vienna, periods spent in Paris and New York, her return to Austria in 1980 and paintings made in the final years of Lassnig's  life.

II. Lady with Brain (Dame mit Hirn), c. 1990, © Maria Lassnig Foundation

III.
Exhibition title: OSKAR AND ZOFIA HANSEN. OPEN FORM
Venue: Museum of Modern Art in Warsaw
Dates: 15 September – 29 October, 2017

The exhibition of Oskar and Zofia Hansen’s legacy showcases various aspects of the Open Form theory, which was the axis of their architectural, artistic and educational work. According to Hansen the mission of architecture should be showcasing people and the richness of their daily activity in space. Architecture should highlight subjectivity and create a framework for individual expression, become an instrument that can be used and transformed by its users and that can easily adapt to their changing needs.

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Jerusalem Art Guide - September

Jerusalem Art Guide - September

What I love about Jerusalem in September is that it is, to some extent, a transitional artistic time - between vacation and the school year, between summer and the Jewish ‘high holidays season’, between the galleries year-end to the opening of fresh new art season! September is a month that leads up to many formative events in the Jerusalem art world in October (we’re looking forward to the Jerusalem Biennale and Manofim Art Festival), and meanwhile Jerusalem’s art scene is setting a unique, auspicious tone - use these recommendations as an art guide to September in Jerusalem.

I.
Exhibition title: The Sweet Water Canal
Artist/s: Hili Greenfeld, curated by Hadas Glazer
Venue: Art Cube Artists’ Studios
Dates: On view until October 13, 2017. 

Hili Greenfeld’s solo exhibition Sweet Water Canal deals with a number of drawings and objects that an Israeli soldier took from an abandoned Egyptian home during the Yom Kippur war in 1973. The soldier became an artist himself and a teacher at Bezalel Academy and revealed these objects to Greenfeld because of the resemblance between these works and her own. Following the discovery, she started to work on this exhibition where she creates a tribute to the anonymous Egyptian painter, and ultimately deals with the lack of cultural relations between Israel and Egypt. 

Hili Greenfeld, _The Sweet Water Canal_ Exhibition view..jpg

II.
Exhibition title: Sun’s Pirouette
Artist/s: Hadas Duchan 
Venue: Barbur Gallery 
Dates: Until September 15th

It’s always exciting to witness the first professional steps from young artists in Jerusalem. This is the first solo show from Hadas Duchan, who graduated from Bezalel Academy two years ago. In Sun’s Pirouette the artists’ experimental work embodies concepts from biology and nature, and Duchan treats the gallery as a laboratory, merging elements such as light, sound and botany to create a space leaves us drifting into the metaphysical.

View of Hadas Duchon, _Sun's Prouette_.JPG

III.
Exhibition title: Black Box
Artist/s: Various Artists
Venue: 97 Yafo St. Outdoor Gallery
Dates: Current exhibition on view until October

The Black Box initiative, along with the city’s Municipal Visual Arts Department and Eden Company just opened a new street gallery last month. Over the past three years they’ve been working on founding this gallery, from the initial stages of picking a location to creating unique light boxes developed to display massive scale photographs. The gallery will serve as a permanent platform to showcase artists and various exhibitions and it’s purpose is to create an artistic portal that disengages the passerby from their daily routine, and engages them with aethstetic yet challenges works of art. 

Black Box View 1.jpg